Her Story travelled the world, from a Writer in India, to Ladies in Brazil, North American Natives, to World Wide Spiritual & Religious Seekers, Olympic Visitors and Networkers, Bloggers and Tweeters and to an Art Showdown at the Saatchi Gallery in London.
First Limited Edition Giclee Prints Numbered & Signed
First Limited Edition Prints All prints are numbered and signed. One Time Only Size. - 15 x 20
She will not be printed in this size again. The print run is limited to 190 prints
The ARCHIVAL Fine Art PRINTSVivid and saturated with color, far surpassing any notion you might get from the website graphics you have been looking at. Sometimes called FINE ART PRINTS, the most common name in galleries for this quality of printing is GICLEE.
If you live outside of Canada or the US please email me your address a shipping quote. prior to ordering.
If you live in Vancouver call me 604-349-1392 for free shipping
Giclee on Fine Art Paper
For matting and framing under glass.
Prints have a one inch white border.
Canvas Prints:All Canvas prints are coated with a UV protective coating.Inks are 200 year Archival fade resistant pigments.Cotton Poly Blend.
Print on Canvas and stretched on 1.5 inch stretcher bar. Edges are finished. Ready to hang.
Unstretched Canvas Print with two inch white border
will be shipped rolled in a tube
click on image to see closeups
Image:
Fee 22: Toney Brooks author and retired broadcaster writes on my blog:
Water is symbolic of the Universal Womb. Emerging from water, this lady announces herself as a type of Great Mother goddess.
The universality of her message may be emphasized by Vancouver, host of the Winter Olympics, a gathering of nations. Winter itself promises spring rebirth. In this regard, the painting is prophetic -- she is depicted emerging, soon to rise above the water with unfolded arms beckoning to all.
She may be the Lady of All Nations ("formerly known as Mary," to cite her own words). This prophecy/apparition dates to the 50s in Holland. To fully understand her message, and her, one first must reinterpret the Catholic, and to a lesser extent, the Christian wrappings and presumptions.
Both in the painting and the prophecy, she herself is in transformation from Mary to the more inclusive Lady of All Nations.
She speaks of a Oneness transcending religious dogmas that often divide and oppress her children. She speaks of a post-Christian, post-dogmatic conceptualization of the Great Mother goddess, a quite controversial notion.
In short, the Lady of All Nations may manifest the long anticipated return of the Sacred Feminine.
